Roots Take by New York Rocker

August 28th, 2009

nyrlogo_red&white&blackWhen we were invited to spend the Woodstock Festival’s 40th anniversary weekend at our friends’ home in Woodstock itself (actually Bearsville, a few miles west on Route 212), I checked the local gig schedule and saw that former Howlin’ Wolf guitarist Hubert Sumlin would be appearing at the Bearsville Theater on Saturday night. Hubert turns 78 this November and it seemed an opportune moment to hear one of the last surviving originators of Chicago electric blues. Only when we saw the flyers posted around town did I discover that Hubert was but one of four acts on the show.

Also appearing were a local local gospel-infused jam band called Children of God, the 2009 version of the Blues Magoos (!), and the folk-blues singer/guitarist Ellen McIlwaine. (So far as I know, this Children of God has no connection to the notorious mind-control/child-bride cult of the same name. That organization’s founder/ruler, the demonic Tony Alamo, is now incarcerated — for life, I hope — although that hasn’t stopped his zombie believers from scuttling through the streets of the East Village in the pre-dawn hours, inserting their poisonous “literature” under the windshield wipers of parked cars. But I digress…)

Ellen McIlwaine released two Polydor albums, Honky Tonk Angel (1972) and We The People (1973), that were among my wife’s turntable favorites as an Oberlin College undergrad.  I dimly recalled seeing this artist live, probably in Minneapolis circa 1973-74, when I may have dismissed her as a Bonnie Raitt wannabe. I’d barely played Ellen’s two-CD retrospective, Up From The Skies: The Polydor Years (Universal Music, now stupidly out of print) , that had been taking up precious shelf space since its release in 1998. So I had no particular expectations of this gig except that it might come as a pleasant surprise to Leslie, who’d never seen her live back in that day.

Well, that night at the Bearsville Theater, Ellen Mcilwaine was really good . . . .
 
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