To some, Clarence Schmidt (1897-1978) was an endearing Santa Claus-sized man, and to others he was the grandfather of pop art. Whatever your position, no one can deny his outrageous take on life in the 1960s. His colossal “House of Mirrors” (HOM) ranged up a hillside atop Ohayo Mountain. It consisted of seven stories of tiered window frames and balconies with runways and gardens. Parts of it incorporated found objects from area landfills like car bumpers, wheels, bicycles, lawnmowers, guitars, saw blades, Rheingold (his favorite) beer cans and doll parts. The latter were thoughtfully donated by Kevin Sweeney of Simulaids. All these bits and pieces of our waste-driven society were artfully placed and curated by Schmidt into a pleasing shrine called home.