Camp Woodland Presentation and Concert
Presentation and Folk Concert
Woodstock, NY—On Saturday, August 14, from 2 to 4 p.m., Pat Lamanna and Sue Rosenberg will give a talk about Camp Woodland at the Eames House, 20 Comeau Drive in Woodstock. Located near Phoenicia from 1939 to 1962, Camp Woodland helped to spark a revival in Catskill Mountain roots music. Throughout the presentation Pat Lamanna, a folk singer with The Raggedy Crew in Poughkeepsie, will reprise many old Catskill Mountain/Woodland folk songs. This event complements the Historical Society’s current retrospective exhibit on Camp Woodland, which is on exhibit at the Eames House through September 12.
Joe Hickerson, the noted folklorist and folksinger, will also be sitting in on August 14. Hickerson was a Camp Woodland counselor from 1959 to 1960. In the late 1950s Pete Seeger stopped by the camp and parked an unfinished tune with Hickerson. The latter added two verses and the song, “Where Have All the Flowers Gone,” became a folk classic. Joe Hickerson served as the librarian and director of the Archive of Folk Song/Culture at the Library of Congress from 1963 to 1998. Pete Seeger calls him “a great song leader.”
Attendees on August 14 can expect surprise guests on rousing sing-alongs for many old favorites like “Guantanamera” and “Everybody Loves Saturday Night.” The Historical Society of Woodstock gratefully acknowledges the support of Ulster Savings and Heritage Folk Music. The Eames House museum is open Saturdays and Sundays from 1 to 5 p.m. For more information call 845.246.3436 or log onto www.campwoodland.org.
Folk Songs of the Catskills—the Spirit of Camp Woodland
New Exhibit at the Historical Society of Woodstock Examines the Renaissance of Catskill Roots Music

Pete Seeger at Camp Woodland—near Phoenicia, NY—in the 1940s (Photo reproduced courtesy of the M.E. Grenander Department of Special Collections and Archives, University at Albany Libraries.)
Woodstock, NY—On Saturday, July 31, 2010, a retrospective exhibit on Camp Woodland opens with a reception from 1 to 5 p.m. at the Eames House, 20 Comeau Drive in Woodstock. The Camp Woodland story, its influence and legacy, is told through film, music, artifacts, images and archives culled from the collections of former campers, the Norman Studer Papers (University at Albany), and from the Historical Society of Woodstock.
Camp Woodland (1939–1962) was founded near Phoenicia, NY, by Norman Studer, a former Ph.D. student of John Dewey’s and an educator at the Elizabeth Irwin School in New York City. Studer sought to bring America’s democratic roots alive to his students. His vision embraced cultural diversity and a multidisciplinary approach. He brought city kids up to the country and put them in touch with old-time Catskill Mountain folks—like Aaron Van De Bogart from Woodstock. Not only did Woodland Campers hear stories from the hill people, but they were put to work collecting and preserving hundreds of folk songs for posterity.
The camp was an annual destination for Pete and Toshi Seeger and they proved to be an incalculable influence. Pete performed for each division of campers, for the camp as a whole, and—when the campers had gone to bed—for the counselors. In 1954, a 15-year-old camper named John Herald saw Seeger sing and decided to become a musician. The camp’s multi-cultural population was a fertile incubating ground for Seeger. One counselor, Hector Angulo, introduced him to a Cuban song, “Guantanamera,” which became hit for Pete in 1961. Another time Pete wrote three verses based on a Russian folk tune and left it with counselor Joe Hickerson. Joe worked with a group of campers on the rhythm and personally wrote two more verses. This song, “Where Have All the Flowers Gone,” charted on Billboard for The Kingston Trio as a “B” side in 1961.
James Taylor, Larry Coryell and the Woodstock Sound-Outs
In 1970, due to the impact of the 1969 Woodstock Festival, smaller events like the Woodstock Sound-Outs were increasingly shut down by New York State municipalities. The Town of Saugerties, in whose jurisdiction the Sound-Outs fell, put on its books a law preventing mass gatherings of 200 persons or more without a permit.
After Cyril Caster left in 1969, Ian Hain stepped up to co-promote the Sound-Outs with Pan Copeland. Hain made a number of improvements to the site, including the construction of a band shell. He was able to pull off several festivals in 1970 without a permit, before the local authorities caught up with him. But at the July 25, 1970 concert, a couple of sheriff’s deputies were stationed by the festival entrance gate, taking a careful count of those admitted. As soon as the tally went over 200, Hain—who still hadn’t managed to secure a permit—was arrested. The town lawyers kept his case in and out of the courts for the rest of the summer, and no other concerts were successfully staged. In September all charges against the promoter were finally dropped, but the season was over.
It was a great pity, for the headliners that summer would have included such icons as James Taylor and Larry Coryell. They are featured in the ad above, for an August 8, 1970 Sound-Out that had to be cancelled due to Hain’s legal difficulties.
Happy Birthday, Bob Dylan: Backstory of Roots Cover

Bob Dylan (born May 24) and John Sebastian
In 1964 Doug Gilbert, a photojournalist on assignment for Look Magazine, came up to Woodstock, NY, to do a story on Bob Dylan. The folk singer was on the cusp of superstardom. The next two years saw Dylan release Another Side of Bob Dylan, Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. Gilbert took a slew of photos, but Look never ran the story. Years later he unearthed the photos in a shoebox.
On the cover of the Roots book at left, Dylan is pictured exiting the Café Espresso driveway onto Woodstock’s Tinker Street. Riding shotgun on Dylan’s Triumph Motorcycle is John Sebastian.



