Woodstock and Camp Woodland
A Woodstock Playhouse program cover from August 1960, courtesy of Joe Hickerson
The Historical Society of Woodstock’s Folk Songs of the Catskills: The Spirit of Camp Woodland exhibit and related events drew hundreds of attendees this past summer. For example, on August 14 nearly 100 people attended the presentation/folk concert with Sue Rosenberg, Pat Lamanna, Joe Hickerson, Mickey Vandow and Eric Weissberg.
During the exhibit people asked about the linkage between Camp Woodland (near Phoenicia, NY) and Woodstock. As it happens, there are innumerable links. Herb Haufrecht, one of the authors of Folk Songs of the Catskills, and a Camp Woodland music counselor, lived in Shady, NY, a hamlet of Woodstock. Another connection was through Barbara Moncure, a local folk singer. She and Alf Evers (for many years the Woodstock Town Historian, and author of Woodstock: History of an American Town) used to venture over to Camp Woodland for the annual festivals. Barbara performed at them, and eventually recorded an album of Catskill Mountain songs for Folkways. In 1959, Alf organized the First Annual Catskill Mountain Folk Music Festival at the Colony Arts Center. Several Catskill Mountain folk singers like “Squire” Elwyn Davis and Harry Siemson, who had previously appeared at Camp Woodland, performed at that festival. Another instance of Camp Woodland/Woodstock linkage occurred in August 1960 when Joe Hickerson, a counselor at the camp, headlined a concert with Carolyn Hester at the Woodstock Playhouse.
Pete Seeger, a big influence at the camp, was connected to Woodstock via his wife, Toshi, who grew up in the town. Pete played at a Woodstock Playhouse concert in 1962. Funds from that concert partially financed the Woodstock Folk Festival at the Woodstock Estates in 1962. Bob Dylan arrived in town around 1963 and John Herald, a former camper, came up to Woodstock in 1965. John Cohen, a former camp counselor, played the Sound-Outs with his band the New Lost City Ramblers.
Many of these interconnections are spelled out in Roots of the 1969 Woodstock Festival, published last year by WoodstockArts.
From Camp Woodland to the Woodstock Music Festival
Raising Reds Author to Give Talk and Sign Books
Raising Reds: Young Pioneers, Radical Summer Camps, and Communist Political Culture
Woodstock, NY—On Sunday, September 12, from 2 to 4 p.m., Paul C. Mishler, author of Raising Reds: Young Pioneers, Radical Summer Camps, and Communist Political Culture, will give a talk at the Eames House, 20 Comeau Drive in Woodstock. Mishler’s presentation will be titled, “From Camp Woodland to the Woodstock Festival and Beyond.” Camp Woodland was located near Phoenicia from 1939 to 1962 and it helped to spark a revival in Catskill Mountain roots music. This event marks the final day of the Historical Society’s current retrospective exhibit on Camp Woodland.
In Raising Reds, Mishler focuses on the era of 1920 to 1950. During this time the Communist Party was able to make significant inroads into American society. Communists were active in labor unions and universities, and they published their articles in popular newspapers. These activities were undermined and demonized in the early 1950s due to McCarthyism and the advent of the Cold War. However, Mishler contends that the Communist radicalism of the 1930s re-emerged in the New Left’s activism of the 1960s.
Further, in his book Mishler explores how, during the Great Depression, some Americans believed that the music of the people was being forced underground due to the rise of larger, more impersonal instituions of social, commerical and industrial development. Therefore, during the 1930s, the Communists and their allies sought to discover/construct/create an alternative America grounded in the roots of the country’s culture. Camp Woodland set in motion an experiment to bring this alternative democratic model into being. The camp’s organizers felt that the most important way for Woodland to establish new ground was via a celebration of folk music and early American folk values, and that this could be made the basis for societal change. Mishler contends that these same beliefs led to the activism of the 1960s, to the 1969 Woodstock Music Festival, and beyond.
Paul Mishler is an Associate Professor of Labor Studies at Indiana University. Raising Reds is published by Columbia University Press. Mishler will be on hand to answer questions and sign books. Refreshments will be served and the event is free. For more information call 845.246.3436 or log onto www.campwoodland.org.
Camp Woodland Presentation and Concert
Presentation and Folk Concert
Joe Hickerson in June 2010 at the Washington Folk Festival
Woodstock, NY—On Saturday, August 14, from 2 to 4 p.m., Pat Lamanna and Sue Rosenberg will give a talk about Camp Woodland at the Eames House, 20 Comeau Drive in Woodstock. Located near Phoenicia from 1939 to 1962, Camp Woodland helped to spark a revival in Catskill Mountain roots music. Throughout the presentation Pat Lamanna, a folk singer with The Raggedy Crew in Poughkeepsie, will reprise many old Catskill Mountain/Woodland folk songs. This event complements the Historical Society’s current retrospective exhibit on Camp Woodland, which is on exhibit at the Eames House through September 12.
Joe Hickerson, the noted folklorist and folksinger, will also be sitting in on August 14. Hickerson was a Camp Woodland counselor from 1959 to 1960. In the late 1950s Pete Seeger stopped by the camp and parked an unfinished tune with Hickerson. The latter added two verses and the song, “Where Have All the Flowers Gone,” became a folk classic. Joe Hickerson served as the librarian and director of the Archive of Folk Song/Culture at the Library of Congress from 1963 to 1998. Pete Seeger calls him “a great song leader.”
Attendees on August 14 can expect surprise guests on rousing sing-alongs for many old favorites like “Guantanamera” and “Everybody Loves Saturday Night.” The Historical Society of Woodstock gratefully acknowledges the support of Ulster Savings and Heritage Folk Music. The Eames House museum is open Saturdays and Sundays from 1 to 5 p.m. For more information call 845.246.3436 or log onto www.campwoodland.org.
Folk Songs of the Catskills—the Spirit of Camp Woodland
New Exhibit at the Historical Society of Woodstock Examines the Renaissance of Catskill Roots Music
Pete Seeger at Camp Woodland—near Phoenicia, NY—in the 1940s (Photo reproduced courtesy of the M.E. Grenander Department of Special Collections and Archives, University at Albany Libraries.)
Woodstock, NY—On Saturday, July 31, 2010, a retrospective exhibit on Camp Woodland opens with a reception from 1 to 5 p.m. at the Eames House, 20 Comeau Drive in Woodstock. The Camp Woodland story, its influence and legacy, is told through film, music, artifacts, images and archives culled from the collections of former campers, the Norman Studer Papers (University at Albany), and from the Historical Society of Woodstock.
Camp Woodland (1939–1962) was founded near Phoenicia, NY, by Norman Studer, a former Ph.D. student of John Dewey’s and an educator at the Elizabeth Irwin School in New York City. Studer sought to bring America’s democratic roots alive to his students. His vision embraced cultural diversity and a multidisciplinary approach. He brought city kids up to the country and put them in touch with old-time Catskill Mountain folks—like Aaron Van De Bogart from Woodstock. Not only did Woodland Campers hear stories from the hill people, but they were put to work collecting and preserving hundreds of folk songs for posterity.
The camp was an annual destination for Pete and Toshi Seeger and they proved to be an incalculable influence. Pete performed for each division of campers, for the camp as a whole, and—when the campers had gone to bed—for the counselors. In 1954, a 15-year-old camper named John Herald saw Seeger sing and decided to become a musician. The camp’s multi-cultural population was a fertile incubating ground for Seeger. One counselor, Hector Angulo, introduced him to a Cuban song, “Guantanamera,” which became hit for Pete in 1961. Another time Pete wrote three verses based on a Russian folk tune and left it with counselor Joe Hickerson. Joe worked with a group of campers on the rhythm and personally wrote two more verses. This song, “Where Have All the Flowers Gone,” charted on Billboard for The Kingston Trio as a “B” side in 1961.
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Fund-Raiser Concert
To raise money for Woodstock’s Zero-Carbon Initiative, Roots of Woodstock LLC held a "40th anniversary" concert on August 15, 2009, at the Bearsville Theater in Woodstock.
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