Pan in Woodstock

March 21st, 2010
Pan at Ann's Delicatessen in the '60s

Pan at Ann's Delicatessen in the '60s

In 1938 D.H. Lawrence wrote in The Phoenix, a Woodstock publication, “still in America, among the Indians, the oldest Pan is alive.” This is a fitting tribute to the bacchanalian energy that was present during the Maverick Festivals in the early 1900s. This spirit re-surfaced in the late sixties at the Woodstock Sound-Outs, where festival goers co-habituated with nature in weekend-long parties under the open skies.

What is not so well known is that the host of the Woodstock Sound-Outs was none other than Pansy “Pan” Drake Copeland (1910-1994). Pan was by turns a tough, feisty lady and a sweetheart. Bill West, a long-time politician, remembers taking Jay Rolison (who was running for the State Assembly) around to meet the shop keepers. He stopped in at Ann’s Delicatessen to meet Pan, the current owner. West had barely concluded the introductions when Copeland upbraided him about some totally unrelated town topic. Needless to say, the politicians beat a hasty retreat. On the other hand, according to Ellen McIlwaine, Pan was like a mother to her. In fact so much so that Copeland managed and guided Ellen’s career during the early seventies. Read the rest of this entry »

Group 212 Inter-Media Project

September 2nd, 2009

Posted by Weston Blelock

House Occupied by Group 212 During the Sixties

House occupied by Group 212 during the late sixties

Bob Liikala’s Group 212 Inter-Media Project exhibit at the Historical Society of Woodstock will close September 6th. Liikala has been on hand since the August 8th opening to guide visitors and discuss the project’s formation and history. He will not be present the final weekend. The show may be viewed on Saturday and Sunday from 1 to 5 p.m.

 The 212 project ran summer retreats from 1967 to 1969 in the old Holiday Country Inn midway between Saugerties and Woodstock on Route 212. It was briefly home to professionals in the visual arts, music, performing arts, filmmaking and sciences. The collective fostered a collaborative meeting point and simplified time and space constraints for the participating artists. It encouraged them to experiment with the diverse new media and helped them to explore and synthesize the exploding potentials then being articulated through happenings, expanded cinema, environmental music and multimedia theater, dance and sculpture. Some of the projects that emerged in 1967 included Meredith Monk’s Blueprint, which was presented at Montreal’s Expo 67; Horse Play, a happening incorporating animals and audience members by Yayoi Kusama; and Dump Tour, a multimedia event directed by Franklin “Bud” Drake that featured a “deluxe” buffet, champagne, an art auction/burning, an airplane assault involving paper airplanes and White Mass choreographed by Norma Lusk.  Read the rest of this entry »


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