From Camp Woodland to the Woodstock Music Festival
Raising Reds Author to Give Talk and Sign Books
Raising Reds: Young Pioneers, Radical Summer Camps, and Communist Political Culture
Woodstock, NY—On Sunday, September 12, from 2 to 4 p.m., Paul C. Mishler, author of Raising Reds: Young Pioneers, Radical Summer Camps, and Communist Political Culture, will give a talk at the Eames House, 20 Comeau Drive in Woodstock. Mishler’s presentation will be titled, “From Camp Woodland to the Woodstock Festival and Beyond.” Camp Woodland was located near Phoenicia from 1939 to 1962 and it helped to spark a revival in Catskill Mountain roots music. This event marks the final day of the Historical Society’s current retrospective exhibit on Camp Woodland.
In Raising Reds, Mishler focuses on the era of 1920 to 1950. During this time the Communist Party was able to make significant inroads into American society. Communists were active in labor unions and universities, and they published their articles in popular newspapers. These activities were undermined and demonized in the early 1950s due to McCarthyism and the advent of the Cold War. However, Mishler contends that the Communist radicalism of the 1930s re-emerged in the New Left’s activism of the 1960s.
Further, in his book Mishler explores how, during the Great Depression, some Americans believed that the music of the people was being forced underground due to the rise of larger, more impersonal instituions of social, commerical and industrial development. Therefore, during the 1930s, the Communists and their allies sought to discover/construct/create an alternative America grounded in the roots of the country’s culture. Camp Woodland set in motion an experiment to bring this alternative democratic model into being. The camp’s organizers felt that the most important way for Woodland to establish new ground was via a celebration of folk music and early American folk values, and that this could be made the basis for societal change. Mishler contends that these same beliefs led to the activism of the 1960s, to the 1969 Woodstock Music Festival, and beyond.
Paul Mishler is an Associate Professor of Labor Studies at Indiana University. Raising Reds is published by Columbia University Press. Mishler will be on hand to answer questions and sign books. Refreshments will be served and the event is free. For more information call 845.246.3436 or log onto www.campwoodland.org.
Folk Songs of the Catskills—the Spirit of Camp Woodland
New Exhibit at the Historical Society of Woodstock Examines the Renaissance of Catskill Roots Music
Pete Seeger at Camp Woodland—near Phoenicia, NY—in the 1940s (Photo reproduced courtesy of the M.E. Grenander Department of Special Collections and Archives, University at Albany Libraries.)
Woodstock, NY—On Saturday, July 31, 2010, a retrospective exhibit on Camp Woodland opens with a reception from 1 to 5 p.m. at the Eames House, 20 Comeau Drive in Woodstock. The Camp Woodland story, its influence and legacy, is told through film, music, artifacts, images and archives culled from the collections of former campers, the Norman Studer Papers (University at Albany), and from the Historical Society of Woodstock.
Camp Woodland (1939–1962) was founded near Phoenicia, NY, by Norman Studer, a former Ph.D. student of John Dewey’s and an educator at the Elizabeth Irwin School in New York City. Studer sought to bring America’s democratic roots alive to his students. His vision embraced cultural diversity and a multidisciplinary approach. He brought city kids up to the country and put them in touch with old-time Catskill Mountain folks—like Aaron Van De Bogart from Woodstock. Not only did Woodland Campers hear stories from the hill people, but they were put to work collecting and preserving hundreds of folk songs for posterity.
The camp was an annual destination for Pete and Toshi Seeger and they proved to be an incalculable influence. Pete performed for each division of campers, for the camp as a whole, and—when the campers had gone to bed—for the counselors. In 1954, a 15-year-old camper named John Herald saw Seeger sing and decided to become a musician. The camp’s multi-cultural population was a fertile incubating ground for Seeger. One counselor, Hector Angulo, introduced him to a Cuban song, “Guantanamera,” which became hit for Pete in 1961. Another time Pete wrote three verses based on a Russian folk tune and left it with counselor Joe Hickerson. Joe worked with a group of campers on the rhythm and personally wrote two more verses. This song, “Where Have All the Flowers Gone,” charted on Billboard for The Kingston Trio as a “B” side in 1961.
James Taylor, Larry Coryell and the Woodstock Sound-Outs
Ad in the Woodstock Aquarian for an August 8, 1970 Sound-Out
In 1970, due to the impact of the 1969 Woodstock Festival, smaller events like the Woodstock Sound-Outs were increasingly shut down by New York State municipalities. The Town of Saugerties, in whose jurisdiction the Sound-Outs fell, put on its books a law preventing mass gatherings of 200 persons or more without a permit.
After Cyril Caster left in 1969, Ian Hain stepped up to co-promote the Sound-Outs with Pan Copeland. Hain made a number of improvements to the site, including the construction of a band shell. He was able to pull off several festivals in 1970 without a permit, before the local authorities caught up with him. But at the July 25, 1970 concert, a couple of sheriff’s deputies were stationed by the festival entrance gate, taking a careful count of those admitted. As soon as the tally went over 200, Hain—who still hadn’t managed to secure a permit—was arrested. The town lawyers kept his case in and out of the courts for the rest of the summer, and no other concerts were successfully staged. In September all charges against the promoter were finally dropped, but the season was over.
It was a great pity, for the headliners that summer would have included such icons as James Taylor and Larry Coryell. They are featured in the ad above, for an August 8, 1970 Sound-Out that had to be cancelled due to Hain’s legal difficulties.
Happy Birthday, Bob Dylan: Backstory of Roots Cover
Bob Dylan (born May 24) and John Sebastian
In 1964 Doug Gilbert, a photojournalist on assignment for Look Magazine, came up to Woodstock, NY, to do a story on Bob Dylan. The folk singer was on the cusp of superstardom. The next two years saw Dylan release Another Side of Bob Dylan, Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. Gilbert took a slew of photos, but Look never ran the story. Years later he unearthed the photos in a shoebox.
On the cover of the Roots book at left, Dylan is pictured exiting the Café Espresso driveway onto Woodstock’s Tinker Street. Riding shotgun on Dylan’s Triumph Motorcycle is John Sebastian.
Roots Pressroom
Fund-Raiser Concert
To raise money for Woodstock’s Zero-Carbon Initiative, Roots of Woodstock LLC held a "40th anniversary" concert on August 15, 2009, at the Bearsville Theater in Woodstock.
Blogroll
Roots Book News
Roots Concert News
-
Incoming Links
Tags
Albert Grossman Barnes & Noble Bearsville Theater Billy Batson Blues Magoos Bob Dylan Bob Fass Bob Liikala Camp Woodland Cat Mother and the All Night Newsboys Children of God Clearwater Solar Trailer Cyril Caster Dave Mason David Salidor Ellen McIlwaine Greg Stanton Group 212 Hubert Sumlin Hudson Valley Magazine Jerry Moore Joe Hickerson Julia Blelock Kenny Rankin Larry Brown Marty Angelo Michael Esposito Michael Lang New York Rocker Pan Copeland Pete Seeger Raven Roots of the 1969 Woodstock Festival Roots of Woodstock Live Concert Sound-Outs Steve Walter The Cutting Room The New York Times Tim Hardin Weston Blelock WKZE Woodstock WoodstockArts Woodstock N.Y. Zero-Carbon Initiative
Subscribe
Archives
- September 2010 (1)
- August 2010 (1)
- July 2010 (1)
- June 2010 (1)
- May 2010 (1)
- April 2010 (2)
- March 2010 (1)
- February 2010 (1)
- January 2010 (1)
- December 2009 (4)
- November 2009 (1)
- October 2009 (4)
